The Localisation of the Hana Yori Dango Text: Plural Modernities in East Asia
Hitomi Yoshida Published January, 2011 Pages 78-99 DOI: http://dx.doi.org/10.21159/nv.04.04
The films of Mitani Kōki: Intertextuality and comedy in contemporary Japanese cinema
Rie Yamasaki Published January, 2011 Pages 123-143 DOI: http://dx.doi.org/10.21159/nv.04.06
Child’s Play? Exploring the Significance of Kawaii for Decora and Fairy-Kei Fashion Practitioners in Harajuku through a Case-Focused Analysis
Megan Catherine Rose UNSW Sydney and The University of Tokyo https://orcid.org/0000-0002-7741-854X Published August, 2020 Pages 80-102 DOI: https://doi.org/10.21159/nvjs.12.05 © The Japan Foundation, Sydney and Megan Catherine Rose, 2020 This work…
Straddling the Line: How Female Authors are Pushing the Boundaries of Gender Representation in Japanese Shōnen Manga
Daniel Flis Published July 02, 2018 Pages 76-97 https://doi.org/10.21159/nvjs.10.04 © The Japan Foundation, Sydney and Daniel Flis, 2018 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Visualising Shattered Lives: Potentiality in Representations of Rape Victimisation in Contemporary Japanese Cinema
Hei-Lei Cheng Published July, 2016 Pages 76-97 https://doi.org/10.21159/nvjs.08.04 © The Japan Foundation, Sydney and Hei-Lei Cheng, 2016 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Heteroglossic Masculinity in Haruki Murakami’s ‘A Wild Sheep Chase’
Laura Emily Clark Published June 29, 2017 Pages 94-115 https://doi.org/10.21159/nvjs.09.05 © The Japan Foundation, Sydney and Laura Emily Clark, 2017 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0…
Volume 8 Introduction
Dr Adam Broinowski Australian National University Guest Editor, Volume 8
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