Volume 12: A Note from the Series Editor
Aug 17, 2020: In this post, our Series Editor Elicia O'Reilly outlines the four firsts that NVJS12 brings to the journal, and highlights its relationship with the growing network of…
Child’s Play? Exploring the Significance of Kawaii for Decora and Fairy-Kei Fashion Practitioners in Harajuku through a Case-Focused Analysis
Megan Catherine Rose UNSW Sydney and The University of Tokyo https://orcid.org/0000-0002-7741-854X Published August, 2020 Pages 80-102 DOI: https://doi.org/10.21159/nvjs.12.05 © The Japan Foundation, Sydney and Megan Catherine Rose, 2020 This work…
The Past is With Us and Yet to Come: A Hauntological Analysis of Tsutomu Mizushima’s Anime Series, ‘Another’
Luke Beattie The University of Notre Dame Australia https://orcid.org/0000-0002-8637-4278 Published August, 2020 Pages 65-79 DOI: https://doi.org/10.21159/nvjs.12.04 © The Japan Foundation, Sydney and Luke Beattie, 2020 This work is licensed under…
Wetland Restoration in Japan: What’s Law Got to Do with It?
Evan Hamman Queensland University of Technology https://orcid.org/0000-0002-6535-5545 Published July, 2019 Pages 47—73 https://doi.org/10.21159/nvjs.11.03 © The Japan Foundation, Sydney and Evan Hamman, 2019 This work is licensed under a Creative Commons…
The Ruptures of Rhetoric: Cool Japan, Tokyo 2020 and Post-3.11 Tohoku
Pepi Ronalds Monash University Published July, 2019 Pages 26—46 https://doi.org/10.21159/nvjs.11.02 © The Japan Foundation, Sydney and Pepi Ronalds, 2019 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International…
[REVIEW] Japan: History and Culture from Classical to Cool
Nancy K. Stalker University of California Press (Oakland), 2018. 446 pages. ISBN 9780520287778 https://doi.org/10.1525/9780520962835
Straddling the Line: How Female Authors are Pushing the Boundaries of Gender Representation in Japanese ShÅnen Manga
Daniel Flis Published July 02, 2018 Pages 76-97 https://doi.org/10.21159/nvjs.10.04 © The Japan Foundation, Sydney and Daniel Flis, 2018 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.